jason_elena | orthunga

1. the last days of refinement 2. crossed out items 3. lime 4. Hong Kong 5. 2027 January 6. hibiscus 7. mirror 8. has transistors 9. 3833 legation street, NW Washington,DC 10. river bed 11. chair 12. Paul Poiret 13. September or March 26 14. dirty table 15. budget 2027 16. crossed out items 17. phosphorescent 18. kitchen bed 19. wiring 20. raspberries 21. cicadas 22. heart feeling 23. soy-sauce 24. fix and wear the clothes of the dead 25. April 26. which flavour dominated? 27. the people living down the street 28. griffin 29. neon 30. the bitter or the salty 31. your ancestors 32. April 32. Night 33. speakerphone 34. silk angular 35. bile 36. left handed 37. coat 38. met in Prizren 39. resistant 40. carbon Inclusion 41. sick ice 42. mayor 43. emptying the house 44. umbrellas 45. from Volume IV 46. Denise 47. Andres Segovia 48. India Lamp 49. dreams matching 50. pigs, eels and open sky 51. snow, seaweed and salt 52. the 19th of April 53. eyelash 54. paralysis 55. breakfast 56. second thought 57. second sleep 58. exaggerated memory 59. ever red 60. several single socks 61. part of herself 62. matches 63. coming soon 64. found school for girls 65. Long hair

Jason Dodge & Elena Narbutaitė

17. januar - 14. marts, 2026

Foto: Malle Madsen

(english below)

Jason Dodge (f. 1969) bor på Møn. Siden slutningen af 1990’erne har han udstillet i gallerier, museer, biennaler, kunsthaller og kunstnerdrevne udstillingssteder verden over. I 2012 grundlagde Dodge poesiforlaget Fivehundred places, som han fortsat redigerer.

Blandt hans nyere soloudstillinger er Tomorrow I Walked to a Dark Black Starpå MUDAM (2024) og Grazer Kunstverein (2024); Cut Door in the Wolfpå MACRO, Rom (2021); samt They Lifted Me into the Sun and Packed My Empty Skull in Cinnamon(2020), en seksdelt udstilling præsenteret hos Akwa Ibom i Athen, i Guimarães, Wien, hos MOREpublishers i samarbejde med Gevaert Editions i Bruxelles, i Franco Noeros Fetta di Polenta i Torino og hos Gern en Regalia i New York. Under pandemien blev hver udstilling installeret af forskellige kunstnere, heriblandt Eva Barto, SoiL Thornton og Giorgio Griffa.

Andre udstillinger tæller Jason Dodge with Ishion Hutchinson: The Broad Church of Nightpå Neubauer Collegium i Chicago (2018), kurateret af Deiter Roelstraete; Water Paper Cutpå Schinkel Pavillon i Berlin (2017); samt en udstilling på IAC i Villeurbanne (2016). I 2017 var Dodge medkurator på udstillingen Enemy of the Starssammen med Krist Gruijthuijsen på KW Institute i Berlin. Han har desuden deltaget i biennaler i Venedig, Lyon, Liverpool og Porto Alegre samt Baltic Triennial og den kommende Manifesta.

Hans værker indgår i en række offentlige samlinger, herunder Astrup Fearnley Museum of Modern Art i Oslo, National Gallery i Washington D.C., Los Angeles County Museum of Art, Moderna Museet i Stockholm, Museum of Contemporary Art i Chicago, Solomon R. Guggenheim Museum i New York, Frac des Pays de la Loire i Carquefou, Montreal Museum of Fine Arts, Castello di Rivoli i Rivoli samt Neue Nationalgalerie i Berlin.

Elena Narbutaitė (f. 1984) bor og arbejder i Vilnius i Litauen.

Hun har deltaget i internationale udstillinger, herunder den fælles litauiske og cypriotiske pavillon ved Venedigbiennalen (2013) samt Liverpool Biennial (2016). Blandt hendes nyere udstillinger er Boulepå Pech i Wien (2025); Autostrada-biennalen i Prizren (2025); Lightpå Grazer Kunstverein i Graz (2025); 15th Baltic Triennial: Same Daypå Contemporary Art Centre i Vilnius (2024); Unknown Familiarspå Leopold Museum i Wien (2024); Mars Returnspå Mykolas Žilinskas Gallery i Kaunas (2022); Nashashibi/Skaer: Thinking Through Other Artistspå Tate St Ives (2018); Rehearsalpå Tai Kwun Contemporary i Hongkong (2018); samt Doolspå Carré d’Art i Nîmes (2018).

Hun er desuden associeret redaktør på BILL, et årligt magasin med fotografiske fortællinger initieret af Julie Peeters.

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Jason Dodge & Elena Narbutaitė

January 17 - March 14, 2026

Photo: Malle Madsen

Jason Dodge (b. 1969) lives on Møn, Denmark. Jason Dodge has been making exhibitions in galleries, museums, biennials, art centers, and artist run spaces since the late 1990's. In 2012 Dodge founded and continues to edit the poetry imprint Fivehundred places.

Recent solo exhibitions include Tomorrow I walked to a dark black star. MUDAM 2024, Grazer Kunstverein 2024, Cut Door in the Wolf, MACRO, Rome 2021, They lifted me into the sun and packed my empty skull in cinnamon, a six-part exhibition held at Akwa Ibom, Athens, Guimaraes, Vienna, MOREpublishers with Gevaert Editions, Brussels, Franco Noero's Fetta di Polenta, Turin, and Gern en Regalia, New York (2020); at the height of the pandemic each exhibition was installed by different artists including Eva Barto, SoiL Thornton, and Giorgio Griffa. Other exhibitions include: Jason Dodge with Ishion Hutchinson: The Broad Church of Night, the Neubauer Collegium, curated by Deiter Roelstraete, Chicago 2018; Water Paper Cut, Schinkel Pavillon, Berlin 2017, IAC Vuillerbanne 2016. Dodge co-curated Enemy of the Stars with Krist Gruijthuijsen at KW Institute, Berlin 2017, and has participated in biennials in Venice, Lyon, Liverpool, Porto Alegre, Baltic Triennial and the forthcoming Manifesta. His work is held in public collections including Astrup Fearnley Museum of Modern Art, Oslo, the National Gallery, Washington D.C. Los Angeles County Museum of Art, Moderna Museet, Stockholm, MCA, Chicago, the Solomon R. Guggenheim Museum, New York, Frac des Pays de la Loire, Carquefou, Montreal Museum of Fine Art, Castello de Rivoli, Rivoli, and the collection of the Neu National Gallery, Berlin.

Elena Narbutaitė (b. 1984) lives and works in Vilnius, Lithuania.

She has participated in exhibitions internationally, including the joint Lithuanian and Cyprus pavilion at the 55th Venice Biennale (2013) and the Liverpool Biennial (2016). Recent exhibitions include Boule, Pech, Vienna (2025); Autostrada biennale, Prizren (2025) Light, Grazer Kunstverein, Graz (2025); 15th Baltic Triennial: Same Day, Contemporary Art Centre, Vilnius (2024); Unknown Familiars, Leopold Museum, Vienna (2024); Mars Returns, Mykolas Žilinskas Gallery, Kaunas (2022); Nashashibi/Skaer: Thinking Through Other Artists, Tate St Ives (2018); Rehearsal, Tai Kwun Contemporary, Hong Kong (2018); and Dools, Carré d'Art Nîmes (2018). She is an associate editor for BILL, an annual magazine of photographic stories initiated by Julie Peeters.